top of page
Study III for Geometric Applications
2015, Silkscreen on paper, 17 x 22 in
In the series "Geometric Applications", white lines trace the distorted geometries created by projecting perfect quasicrystalline patterns onto the objects of everyday life. A pattern found in both the mystic ornament of Medieval Islam and the molecular structures of modern physics, the work represents the notion of an underlying order - be it spiritual or scientific - rendered illegible by the disorder of modern life.
bottom of page